Thursday, March 8th at 4 p.m. before Thacker Mountain Radio.
We’ll be hosting a listening party for Memphis Rent Party–the companion soundtrack to the book of the same name by Robert Gordon. The soundtrack, released on Fat Possum Records, features tracks by Alex Chilton, Junior Kimbrough, Jerry Lee Lewis, Jim Dickinson, Charlie Feathers, and many more!
Robert will join us at the record store at 4 p.m. to sign records and hang out before his reading on Thacker Mountain Radio at 6 p.m. at Off Square Books.
You can preorder a copy of the record on “Rent Money Green” vinyl from us and a copy of the book from Square Books.Â
More info on the release:Â
Memphis is about individualism, about distinct characters making âitâ different. The best music out of Memphis â be it deep blues, early rocking Elvis, Stax soul, indie 1990s Grifters, or todayâs Julien Baker or North Mississippi All Stars â forged its own sound. The Memphis aesthetic is to not sound like hits, but to sound different. Sometimes âdifferentâ hits.
On March 9, 2018, Fat Possum Records will release Memphis Rent Party, an audio romp through the fabled city â home of the blues, the birthplace of rock ânâ roll, a soul music capital. The compilation features Junior Kimbrough, Alex Chilton, Furry Lewis, Jerry McGill, Calvin Newborn, Mose Vinson, Jim Dickinson, Charlie Feathers, the Panther Burns, Jerry Lee Lewis,and more.
This collection of very varied recordings from the greater Memphis area is the soundtrack to author Robert Gordonâs sixth book, Memphis Rent Party. Like the book, like the city, this album is all over the place and everywhere it goes, it goes there with a bang.
Fully half of the album is unreleased material, including songs new to some of the artistsâ catalogs. Big Starâs Alex Chilton, in his punk rock glory, performs âJohnny Too Bad,â a deep track fromJimmy Cliffâs The Harder They Come. The band didnât know the song, but they follow along with shambolic 1979 zeal.
Premiering here is a collaboration between Luther Dickinson of the North Mississippi All Stars and Sharde Thomas, granddaughter of fife shaman Otha Turner. The two grew up together in the dust of Mississippi Hill Country, and with this goat picnic celebration they use the newest technology to create old sounds. The bass drum reverberates like giant water drops, the fife caroms like a rabbit making babies, and the slide guitar is the causing of it all.
Also premiering here:Â Jim Dickinson, arch-bohemian bluesman and alternative everything godhead, tackles the unheralded (and shorn) âIâd Love To Be a Hippie (But My Hair Wonât Grow That Long).â Recorded after a mescaline-fueled traditional hippie blue moon ceremony, this track screams with mid-1970s abandon.
Two of the tracks come from cassette recordings that Robert Gordon made on location â documents of fleeting Memphis blues moments. Junior Kimbroughâs âAll Night Longâ was recorded in Kimbroughâs living room in the middle of a Mississippi cotton field on a Sunday 1986 afternoon, neighbors packed in, everyone high on homemade white whisky, the cabin floor churning. Good times, good times. Elsewise, the dance floor grinds slower when Memphisâs Fieldstones break into  âLittle Bluebird.â Live from their longtime gig at Greenâs Lounge, across from a South Memphis junkyard, the Fieldstones ruled the dance floor at any tempo.
Hearing Calvin Newborn do âFrame for the Bluesâ live in Memphis is, like the Newborn family chapter in Gordonâs book, a map of previously uncharted territory. Calvin is the jazz great who, with his brother Phineas, the late jazz piano prodigy, brought true grit to B.B. Kingâs Sam Phillips sessions. The Newborns made a career of beautifully mixing jazz and blues, recording and performing with Hank Crawford, Count Basie, Mingus and many others. These brothers were the nexus of Americaâs indigenous music, jazzing the blues and making blues of jazz. Fonkified.
This Memphis Rent Party compilation also features:
â˘Â Outlaws on the lam: Jerry McGillâs take on Guy Clarkâs âDesperadoes Waiting for a Trainâ was recorded while the felon was on the run from the FBI and had no I.D. he could show the law. Heâs backed by Mud Boy and the Neutrons in one of their greatest performances.
⢠A 1960s living room recording of pre-War bluesman Furry Lewis â energetic in his 50s, but letting the music hang between the notes.
â˘Â Jerry Lee Lewis freeing his soul on the old weeper âHarbor Light,â for which youâll weep no more after hearing this rocking version.
â˘Â Tav Falcoâs Unapproachable Panther Burns finding their way around a tango at their second-ever gig, 1979.
â˘Â Barrelhouse piano player Mose Vinson turning the piano into toothpicks.
A rent party is when friends come together to hear music, dance, and help a pal through hard times; itâs a celebration in the face of looming tragedy, an optimism when the wolf is at the door. Gordon finds mystery in the mundane, inspiration in the bleakness, and revels in the individualism that connects these diverse encounters.
About the producer:
Robert Gordon is a Grammy winner and an Emmy winner. Heâs a writer and a filmmaker. Heâs a native Memphian who has been exporting the cityâs authentic weirdness since long before his first book, It Came From Memphis (1995). Heâs been nominated for six Grammys; his win was for the liner notes to the Big Star box set Keep an Eye on the Sky. His Emmy was for Best of Enemies, the 2015 documentary about Gore Vidal, William Buckley, and the demise of civil discourse in America. Heâs not the rockabilly singer, heâs not author of Deep Blues, and heâs not the university in Scotland. He lives in Memphis.